![]() ![]() ![]() ![]() His music caught the ear of Arturo Toscanini, who led the premieres of two works: the Essay for Orchestra (later retitled First Essay for Orchestra) and the Adagio for Strings, one of the best-known works of the 20th century. These works established him as "the one to watch" in his generation of American composers, a status confirmed by his receipt of the Prix de Rome and a Pulitzer traveling grant in 1935, when he was 25. Early works from Barber's student days still hold a place in the repertoire, including Dover Beach - a setting of a Matthew Arnold poem for voice and string quartet Barber, who had become quite a capable baritone, sang the world premiere - and his graduation exercise, the Overture to The School for Scandal. It was at Curtis that he met another young composer, Gian-Carlo Menotti, who was to become his lifelong companion and professional collaborator. In 1924, Barber enrolled in the newly opened Curtis Institute in Philadelphia, where he studied piano with Isabelle Vengerova, composition with Rosario Scalero and conducting with Fritz Reiner. 23, 1981)Īmerican composer Samuel Barber was a nephew of the celebrated contralto Louise Homer and a protege of the composer Sidney Homer, who caught on to young Samuel's gifts when, at the age of 9, he began work on his first opera. Gordon Parks/Time & Life Pictures/Getty Imagesīarber, Samuel (b. ![]()
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